This article examines Adrienne Rich’s Twenty-One Love Poems in relation to Edna St Vincent Millay’s Fatal Interview. Discussing notions such as lyric voice and innovation within traditional genres, the author analyses how Millay’s attempts to challenge commonplace definitions of female sexuality impacted on Rich’s articulation of sexual desire. The intertextual dialogue between the above works reveals that Millay and Rich produced two remarkably similar erotic narratives, which resist masculinist conceptions of literary history and comment on the self-referentiality of poetic composition. (...) Finally, the author approaches Fatal Interview as a work that foregrounds the significance of women’s bonding, and argues that it was precisely this aspect that caught Rich’s attention and helped the younger poet develop her feminist consciousness. (shrink)

This paper will discuss Edna Millay's influence on Anne Sexton, with particular reference to issues such as gender politics, femininity, performativity, and the female body. Through close comparative readings of some of the two women's most representative poems, I analyze, firstly, how Millay's outspokenness and daring self-presentation as a woman writer facilitated Sexton's handling of material that was previously considered unacceptable for poetry and, secondly, how Sexton expanded the scope of women's writing in a manner that paid tribute to the (...) earlier poet's innovation. My paper maintains that Millay's repeated attempts to explore gender and interrogate the concept of ‘authentic’ femininity anticipated Sexton's overtly feminist works. Ultimately, I am arguing that, despite the literary climate of the 1960s (which urged the rejection of poets like Mi May) and despite her own ambiguous feelings for the earlier poet, Sexton eventually recovered Mil lay as an important literary predecessor for her generation, consistently imitated her artistic posturing, performance strategies, and self-presentation, and finally acknowledged her unique contribution to women's writing. (shrink)

This article offers a close reading of Hannah Arendt's book On Revolution. It exposes the ambivalence of Arendt with regard to tragedy and mimesis. This ambivalence is not just her own; it is inherent in the treatment of tragedy and mimesis throughout the history of political thought. In spite of Arendt's argument that privileges the limited American Revolution against the boundless French one, in her rhetoric and in her storytelling Arendt presents a unitary but dialectical picture of revolution, where suffering (...) and foundation are inseparably intertwined. The founding public action of revolutionaries implies a crisis of mimetic passions (of fear and pity) which threatens to undo, but also set the stage for, revolution. This negative, passionate and passive side of revolution helps us to come to terms with the non-productive but emancipatory revolutions in the Eastern Europe of 1989-91. (shrink)

The article presents a verbal and mathematical model of medium-term business cycles (with a characteristic period of 7–11 years) known as Juglar cycles. The model takes into account a number of approaches to the analysis of such cycles; in the meantime it also takes into account some of the authors' own generalizations and additions that are important for understanding the internal logic of the cycle, its variability and its peculiarities in the present-time conditions. The authors argue that the most important (...) cause of cyclical crises stems from strong structural disproportions that develop during economic booms. These are not only disproportions between different economic sectors, but also disproportions between different societal subsystems; at present these are also disproportions within the World System as a whole. The proposed model of business cycle is based on its subdivision into four phases: – recovery phase (which could be subdivided into the start sub-phase and the acceleration sub-phase); – upswing/prosperity/expansion phase (which could be subdivided into the growth sub-phase and the boom/overheating sub-phase); – recession phase (within which one may single out the crash/bust/acute crisis subphase and the downswing sub-phase); – depression/stagnation phase (which we could subdivide into the stabilization subphase and the breakthrough sub-phase). The article provides a detailed qualitative description of macroeconomic dynamics at all the phases; it specifies driving forces of cyclical dynamics and the causes of transition from one phase to another (including psychological causes); a special attention is paid to the turning point from the peak of overheating to the acute crisis, as well as to the turning point from the downswing to recovery. The proposed mathematical model of Juglar cycle takes into account the following effects that are typical for the market economy: • positive feedbacks between various economic processes; • presence of a certain inertia, time lags in reactions of the economic subsystem to the change in conditions; • amplification by the financial subsystem of positive feedbacks and time lags in the economic subsystem; • excessive reaction to changing conditions during the acute crisis sub-phase. The authors suggest that the current crisis turns out to be rather similar to classical Juglar crises; however, there is also a significant difference, as the current crisis occurs at a truly global scale. Yet, due to this truly global scale of the current crisis, the possibilities of regulation with the national state's measures have turned out to be ineffective,whereas the suprastate regulation of financial processes hardly exists. It is shown that all these have led to the reproduction of the current crisis according to a classical Juglar scenario. (shrink)

Whereas the Mediterranean has not submitted easily to strong theories, still it has inspired a certain kind of theorizing from the ground. The setting of the Mediterranean viewed from the land's edge gave the world theoria, which Greek etymology and usage associates with looking onto a scene with amazement, viewing drama, being sent as an emissary to consult the oracle, or traveling for the purposes of sightseeing. The present essay explores some connections between the Mediterranean and theoria. Following a brief (...) survey of how theoria functioned in antiquity, it studies the case of 20th-century Greek poet Angelos Sikelianos and American director and choreographer Eva Palmer - husband and wife - who sought to revive ancient ideas of theoria. They organized revivals of the Delphic Festivals in 1927 and 1930 as a prelude to re-establishing Delphi as a world center for people with a vision for the world. Their work rivaled that of the Olympic Revivals, except that the Delphic Revival was linked to a particular Mediterranean site and pursued the course of art, music, social thought, and especially tragedy together with athletics. A spectacular, imaginative, ambitious, but stillborn effort, it gives evidence of both the potential and limits of Mediterranean theoria. (shrink)

Whereas the Mediterranean has not submitted easily to strong theories, still it has inspired a certain kind of theorizing from the ground. The setting of the Mediterranean viewed from the land's edge gave the world theoria, which Greek etymology and usage associates with looking onto a scene with amazement, viewing drama, being sent as an emissary to consult the oracle, or traveling for the purposes of sightseeing. The present essay explores some connections between the Mediterranean and theoria. Following a brief (...) survey of how theoria functioned in antiquity, it studies the case of 20th-century Greek poet Angelos Sikelianos and American director and choreographer Eva Palmer - husband and wife - who sought to revive ancient ideas of theoria. They organized revivals of the Delphic Festivals in 1927 and 1930 as a prelude to re-establishing Delphi as a world center for people with a vision for the world. Their work rivaled that of the Olympic Revivals, except that the Delphic Revival was linked to a particular Mediterranean site and pursued the course of art, music, social thought, and especially tragedy together with athletics. A spectacular, imaginative, ambitious, but stillborn effort, it gives evidence of both the potential and limits of Mediterranean theoria. (shrink)

This article builds on a developing interdisciplinary discussion of home. It studies two 20th-century texts in counterpoint: political philosopher Agnes Heller's essay, `Where Are We at Home,' and novelist Melpo Axioti's My Home, a nostalgic recollection of life on Mykonos. Heller contrasts the elusive, self-appointed geography of postmodern living with a traditional view of primordial dwelling, a non-transient way of dwelling that gave to Earth a commitment stretching from ancestral past to a distant future. That experience is all but lost (...) today, Heller muses as she surveys the horizon for space-bound alternatives to today's geographic promiscuity. The closing paragraph of her essay, which settles inconclusively on a Mediterranean landscape, opens a portal to My Home, the work of another political exile deprived of nationality and citizenship during the Cold War. Axioti's postmodern novel juxtaposes native stories of a transient life on Mykonos with the modern developer's efforts to discover firm foundations for building and an exile's wish to recover solid memories of home. Between those perspectives, Mykonos comes alive as a different type of home, in which obligation forms a bridge between presence and absence. The article closes by inquiring whether a thoughtful look at fragile Mediterranean worlds might reintroduce the idea of obligation to postmodern conceptions of home. (shrink)

The article is dedicated to the politico-theological critique of Judaism from the position of Christianity. It shows the affinity of Marx’s early critique of liberal state and of Hannah Arendt’s criticism of formal legalistic thinking in the contemporary judicial treatment of Nazism (and of similar international political crimes). Marx’s critique of nation-state finds its unlikely continuation in Arendt’s critique of international law. The politico-theological argument is explicit in Marx and implicit in Arendt, but both develop the Hegelian criticism of liberal (...) state which shows its reliance on the abstract law, on the one hand, and on the egotistic abstract individual, on the other. The theological undercurrent of the argument is both sign of its limitations, and of the subsisting relevance of the politico-theological framework, even in the similarly novel circumstances of the twentieth century. It is only within and through the theological critique and critique of theology that these issues would stand a chance of resolution. (shrink)

Lenin’s State and Revolution is not only a project for imminent revolutionary policy and not only a legitimization argument for a revolutionary dictatorship, but also a theory of state and theory of democracy. Lenin points at the reduplication of state organs that is inherent in a democratic state. While the Russian revolutionary thinks of this reduplication as something transitory, we today increasingly see it as a durable condition coterminous with the late-modern democratic state. I use Lenin’s treatise as a point (...) of inspiration to briefly characterize my dialectical theory of state. (shrink)

This roundtable intervention explores the question of collective guilt in the case of Russia’s war with Ukraine. Psychoanalytic analysis of guilt is added here to the traditional discussions of concrete and generalized responsibility of the individual for the actions of her government. An affirmative, good-oriented ethic is promoted, in contrast to the evil-centered ethic. A group guilt of intelligentsia is found in its cultural and economic domination within the Russian society, which has led to an unfortunate separation between the nationalist (...) and internationalist classes. (shrink)

This volume in the Political Theory and Contemporary Philosophy series examines one of the most important topics in contemporary political theory: how to conceptualize the relationship between the one and the many. The essays discuss how to reconcile multiple ontologies without subsuming them to a totalitarian unity. While one school of thought seeks to create a new ontology based on the many instead of the one,, another proposes to understand the "one" as the "ultra-one" of the event. In this groundbreaking (...) work, leading thinkers explore these debates and offer alternative concepts. Building on Jean-Luc Nancy's essay who proposes an ontology of "singular plurality," contributors aim to synthesize the one and the many and suggest different ways of forming collectives, beyond the dominant representative political forms. An original and challenging work, Politics of the One addresses new possible ways of bringing people together, integrating philosophy with theoretical and practical problems of politics. (shrink)

This is the Q&A portion of the roundtable that focuses on the crucial issues of individual and collective guilt of the intellectual class in the face of war. The participants address the stratification of Russian society, possibilities and obstacles of dissent, and the eschatological tendencies of history by engaging with each other’s claims and ideas and seeking answers to direct questions.

The historical meaning of the dissolution of the Soviet Union and of the subsequent post-communist transformation remains profoundly unclear. Most observers hesitate to designate these events as a revolution, building on a common-sense notion of revolution as a violent, radical change. My dissertation argues that the post-communist transformation was indeed a revolution and proves this claim by comparing it with the French Revolution, in its political, social, and anthropological aspects. In both historical cases, the quick and easy victory of society (...) over the "old regime" was followed by a long period of internal struggle, threat of stagnation, and widespread melancholia. ;Based on this historical parallel, I turn to the theoretical analysis of the concept of revolution. Our recent historical experience allows for a new perspective on the history of this concept, as it has been developed in the Modern philosophy and political theory. The present study focuses primarily on two points in this history. The first is Immanuel Kant's treatment of the French Revolution in his late political texts, The Conflict of the Faculties and The Metaphysics of Morals. The second is Hannah Arendt's work On Revolution. The close reading of these texts allows me to outline the structure of the concept of revolution as centered around the logic of negativity. ;Kant interprets the French Revolution as an irreversible event. The revolution repeatedly returns to the imaginary, impossible point of self-foundation only to recoil again from the abyss it opens. Arendt also emphasizes the two sides of revolution, the infinite self-destruction and the new beginning. Although Arendt attempts to separate the "positive" American Revolution from the "negative" French Revolution, the dissertation shows that her conceptual reading of the two is identical and that it heavily depends on the narrative structure of tragedy. ;Revolution is the central concept of the Modern philosophy of history. It is far from being outdated but must be updated and renewed to provide meaning to our present historical situation. This dissertation makes a step towards this renewal. (shrink)

This essay attempts to formulate an ethical program for today's left by showing that such a program should necessarily involve both the insistence on a subjectivity, in the sense of a revolutionary self-determination that would go beyond the liberal pre-established autonomy and an openness to the new and unrecognized that would go beyond all liberal tolerance. I further argue that the only way to understand the co-articulation of subjectivity and openness is to accentuate the event as the origin of open (...) subjectivity. Moreover, borrowing a motif from Kant,1 I will speak of the “orientation” in history that an event provides…. (shrink)

This essay contextualizes the apostle Paul’s pivotal missionary residence in Ephesus, giving particular attention to the intriguing confrontation between Paul’s associates and devotees of the cult of Ephesian Artemis. The essay begins by examining aspects of the city of Ephesus and its residents that presented Paul both with unique challenges and unique evangelical opportunities. Specific attention is given to the shift in Paul’s locus of evangelism, from the Ephesian synagogue to residential house churches. This is followed by an exploration of (...) the Ephesians’ distinctive adoration of Artemis. Finally, the dramatic clash between Christians and pagans in the Ephesian amphitheatre is scrutinized, with emphasis placed on the people involved and implications for the first century expansion of the Christian Church. (shrink)

Cet ouvrage collectif sur Artémis et Diane en Grèce ancienne et en Italie, dirigé par Giovanni Casadio et Patricia A. Johnston, regroupe la plupart des interventions du Vergilian Society’s Symposium Cumanum, tenu à la Villa Vergiliana, près de l’ancienne Cumes, en juin 2012. Après une introduction générale des éditeurs sur Artémis puis sur Diane et la présentation des contributions, il est organisé en quatre parties. Le cadre de la première paraîtra très vaste, « Artémis à Mycènes et en Grèce...

Editors of Lysistrate have regarded this passage as a kind of cursus honorum of a well-brought-up young Athenian lady: the chorine first served at the age of seven as a bearer of the sacred casket ; then at the age of ten as miller of corn for Athena Archegetis ; then followed service as a ‘bear’ of Artemis at the Brauronia; finally, she returned to Athens as a basket-bearer , holding a string of figs, when a fair young girl. After (...) this, presumably, she married. There are several difficulties in this interpretation: notably, the intrusion into service apparently wholly devoted to Athena of a spell as one of Artemis' servants at Brauron; moreover, the evidence is that Artemis' ‘bears’ were pre-pubescent, not young girls on the verge of marriage, as the above interpretation seems to require them to be. Another weakness lies in the period of service as an arrephoros: this passage seems to be the only direct evidence that arrephoroi might be seven-year-old, rather than adolescent, girls. A more extreme interpretation is that of A. Brelich, who regarded this passage as proof that there existed in fifth-century Athens a system of universal female initiation, based on four successive grades, arrephoria, aletria, arkteia and kanephoria. I do not propose to comment in detail upon Brelich's hypothesis, but critics of it might begin by questioning the age and number of the arrephoroi, and the function and location of the kanephoroi. (shrink)

This chapter contains sections titled: Humans and Hunting Women Who Hunt Why Do You Hunt? The Thrill of the Kill How Did You Learn to Hunt? With Whom? Women Hunting What Does It Feel Like? The New Artemis? Notes.

Despite the ubiquity of bees in Dickinson’s work, most interpreters denigrate her nature poems. But following several recent scholars, I identify Nietzschean/Dionysian overtones in the bee poems and suggest the figure of bees/hive/queen illuminates as feminist key to her corpus. First, (a) the bee’s sting represents martyred death; (b) its gold, immortality; (c) its tongue, the “lesbian phallus”; (d) its wings, poetic power; (e) its buzz, poetic melody, and (f) its organism, a joyful Dionysian Susan (her sister-in-law and love interest) (...) to Emily’s flower. Second, the hive represents her individual poems (with slants/dashes as stingers, wings as hymn meter, honey as rhymes, variant words as exiled bees, and accompanying flowers their Darwinian coevolution with bees), constituting her writing persona as a multi-voiced self-swarm, as organized in the apiary of her letters and fascicles. And third, the queen represents her Western cultural and religious inheritance wherein bees are symbols of the soul, reincarnation, poetic-philosophical vocation, and a Nietzschean, trans-Dionysian naturalist ontology—symbolized by apiarian Artemis. (shrink)

Qu’a donc vu Pausanias dans l’Asklépieion de Messène ? Parmi les nombreuses statues qu’abrite l’aile occidentale de ce complexe, il mentionne la présence d’une Artémis Phôsphoros. Toutefois, le matériel épigraphique mis au jour dans ce secteur du sanctuaire ne fait connaître qu’une Artémis Ortheia. Qu’est-ce à dire ? Il ne semble pas que le témoignage du Périégète soit ici à remettre en cause. Il convient au contraire de se s’interroger sur les raisons qui font que Pausanias voit une Artémis Phôsphoros (...) là où les Messéniens nomment une Artémis Ortheia. Ce qui revient à poser la question de l’identification du divin, par le nom et par l’image.What did in fact see Pausanias in the Asklepieion at Messene? This complex shelters many statues, especially in the oikoi of the west stoa. Pausanias says that the statue of Artemis Phosphoros stood in one of them. Nevertheless, there is no mention of such a divinity in the epigraphic. Inscriptions mention exclusively an Artemis Ortheia. What does that mean? The Periegete’s evidence does not have to be implicate. In my opinion, it is advisable to ask why Pausanias saw a Artemis Phosphoros, where Messenians named Artemis Ortheia. This amounts to raising of the question of the identification of the divine, by name and by image. (shrink)

Aktaion's own hounds devoured him, convinced by Artemis that he was a deer. This grim reversal, the great hunter who dies like a hunted beast, was the strongest element of the mythic tradition associated with the Boiotian hero and inspired numerous scenes in Greek art. Aktaion's Offense, on the other hand, received little iconographic attention before the imperial era, and Greek literature accounted for Artemis' hostility in a variety of ways. The chronology of the extant sources suggests a neat sequence (...) of misdeeds, and the resulting succession of versions is the object of a well-established scholarly consensus. The information which survives is actually too scant and too fragmentary to bear so straightforward a reading, but a critical approach can suggest the outlines of more plausible, if less neat, picture. (shrink)

La fille grecque passe directement de ses jouets au lit de celui auquel son père l'a donnée. Certes, pour énoncer cette vérité, il convient de traquer les maigres sources à notre disposition. Il est alors recommandé de s'adresser aux poètes qui disent de la façon la plus complète et la plus évocatrice ce que signifie ce passage direct de l'enfance à l'érotique adulte et à la maternité. Le tableau de ce « pivotement du sacré », qui est la lecture religieuse (...) du passage, montre l'importance des divinités conductrices dans cette transition, les déesses qui aident la fille à faire ce bond dans l'inconnu : Artémis, du côté de l'enfance, Peithô (“Persuasion”) et Aphrodite, du côté d'Eros. Les hommes, la cité, s'intéressent évidemment à cet échange des filles entre les « maisons » que constitue le mariage et l'on trouve dans les textes normatifs ­ juridiques ­ des preuves de l'existence de mariages d'impubères en Grèce et ­ plus généralement ­ du très grand écart d'âge entre les époux. (shrink)

La fille grecque passe directement de ses jouets au lit de celui auquel son père l'a donnée. Certes, pour énoncer cette vérité, il convient de traquer les maigres sources à notre disposition. Il est alors recommandé de s'adresser aux poètes qui disent de la façon la plus complète et la plus évocatrice ce que signifie ce passage direct de l'enfance à l'érotique adulte et à la maternité. Le tableau de ce « pivotement du sacré », qui est la lecture religieuse (...) du passage, montre l'importance des divinités conductrices dans cette transition, les déesses qui aident la fille à faire ce bond dans l'inconnu : Artémis, du côté de l'enfance, Peithô (“Persuasion”) et Aphrodite, du côté d'Eros. Les hommes, la cité, s'intéressent évidemment à cet échange des filles entre les « maisons » que constitue le mariage et l'on trouve dans les textes normatifs ­ juridiques ­ des preuves de l'existence de mariages d'impubères en Grèce et ­ plus généralement ­ du très grand écart d'âge entre les époux. (shrink)

Les travaux et publications récents concernant le très abondant matériel de l’Artémision de Thasos permettent de proposer une première vue d’ensemble. Nous sommes ici dans une situation privilégiée puisque nous savons par les sources écrites qu’il s’agit d’un sanctuaire consacré à Artémis. Le matériel votif du sanctuaire permet-il alors de dégager un aspect particulier de la personnalité d’Artémis à Thasos ? Si quelques offrandes sont clairement le signe d’une dévotion de jeunes filles et de femmes ou sont directement à mettre (...) en relation avec les attributions d’Artémis, force est de constater, à ce point d’avancée des recherches, l’absence d’offrandes vraiment originales, et en particulier le nombre très réduit de représentations de la déesse dans son sanctuaire, ce qui ne permet guère de déterminer une fonction précise de celle-ci à Thasos. Recent research and publications on the very numerous votive offerings found in the Thasian Artemision allow us to provide a preliminary overview. The context is favourable, since written evidence informs us that this sanctuary was dedicated to Artemis. Do the offerings found in the sanctuary allow us to point out a particular aspect of the Artemis’ personality in Thasos? Some offerings clearly indicate that girls and women worshipped the goddess, or else they can be directly related to Artemis’ prerogatives. However, we can infer from current investigation that no truly original offerings are attested and that the goddess herself is very rarely represented on offerings in her shrine. Thus this evidence does not allow us to define a precise function of Artemis in Thasos. (shrink)

Most recent critics of Alcman's Partheneion have assumed that it was composed for a festival of Artemis Orthia, and have strengthened their case by adopting the scholiast's reading of ρθί at 61 and assuming that ᾈώтι at 87 can only refer to Artemis. The case for Artemis has been made more popular by the excavations of her shrine, which have revealed copious evidence of a rich and popular cult with which festivals of maidens must have been connected. But on a (...) closer examination the case for Artemis Orthia is seen to be based on fallacious evidence. First, let us consider the scholiast's suggestion of ρθί which Bergk read at 61. (shrink)

Plato, as a poet, employs muthos extensively to express his philosophical dialectical development, so the majority of his dialogues are comprised of muthoi. We cannot separate his muthos from his philosophical thought, since the former has great influence in the latter. So the methodology of this paper is first to discuss the dialogue "Theaetetus" to find out why he compares Socrates to the Greek goddess Artemis; then his concept of Maieutikē will be investigated. At the beginning of Plato’s "Theaetetus", Socrates (...) first likens himself to the goddess Artemis, who, though unmarried, has a duty to assist women in labour. Socrates’ role, as Plato portrays, is the same as that of Artemis; and the technē he possesses is Maieutikē, which is to assist his students in giving birth to their mental offspring. This paper will focus on discussion on the Socratic mythological role in Platonic interpretation and dialectics so as to reveal the philosophical meaning of Socratic ignorance. (shrink)

Certaines sculptures d’époque archaïque trouvées dans les fouilles de l’École française d’Athènes à Délos sont encore très peu connues : c’est le cas des œuvres étudiées dans cet article, qui datent toutes de la fin de la période considérée. La paire de lions A 4103 et A 4104, trouvée par Homolle en 1878 dans l’Artémision (voir, en appendice, un bilan sur les sculptures archaïques découvertes à cette occasion), appartient à une série de fauves figurés dans une attitude menaçante qui est (...) représentée, en particulier, par deux exemplaires de l’Acropole d’Athènes également étudiés ici ; placés sur de hauts supports, peut‑être vers l’entrée du sanctuaire, ils soulignaient la puissance redoutable de l’Apollon Délien et de sa sœur Artémis. La sirène A 3995, un des rares exemples en ronde bosse de ce type de monstre à l’époque archaïque, se rapportait probablement au culte d’Artémis. Enfin, il est certain que la paire d’oiseaux A 3122 et A 3123 (pigeons ou colombes) provient non pas de l’Héraion, comme on l’a pensé, mais d’une zone située au sud‑est du lac : ils appartenaient peut‑être au sanctuaire GD4 68, comme la lionne A 4105. (shrink)

Wittgenstein's move is admirably motivated and directed, but it suffers from basic flaws which involve it in as many problems as it has warded off. This paper will attempt to trace out some of these flaws, and also to suggest how they might have been avoided. In the process, it will invoke the aid of the ancient aphorist who seems in some ways to have been a kindred spirit of Wittgenstein, and who shares with him a stress upon the public (...) or the "common" as the key to overcoming philosophy's perplexities: Heraclitus of Ephesus. The sage who, wearied by the abstruseness of vain speculation and by the chatter of the marketplace, went off to play with the children in the temple of Artemis, may have some useful hints for the gardener in the Irish monastery, wearied by the hum of the idling engine forever "gunned" by the professional philosophers. (shrink)

Atalanta, devotee of Artemis and defiant of men and marriage, was a popular figure in ancient literature and art. Although scholars have thoroughly investigated the literary evidence concerning Atalanta, the material record has received less scrutiny. This article explores the written and visual evidence, primarily vase painting, of three Atalanta myths: the Calydonian boar hunt, her wrestling match with Peleus, and Atalanta's footrace, in the context of rites of passage in ancient Greece. The three myths can be read as male (...) and female rites of passage: the hunt, athletics, and a combination of prenuptial footrace and initiatory hunt. Atalanta plays both male and female initiatory roles in each myth: Atalanta is not only a girl facing marriage, but she is also a female hunter and female ephebe. She is the embodiment of ambiguity and liminality. Atalanta's status as outsider and as paradoxical female is sometimes expressed visually by her appearance as Amazon or maenad or a combination of the two. Her blending of gender roles in myth offers insight into Greek ideas of social roles, gender constructs, and male perceptions of femininity. Erotic aspects of the myths of the Calydonian boar hunt and the footrace, and possibly also her wrestling match with Peleus, emphasize Atalanta as the object of male desire. Atalanta challenges men in a man's world and therefore presents a threat, but she is erotically charged and subject to male influence and dominance. (shrink)

The notes of W. S. Maguinness on the Corpus Tibullianum contain several things which strike me as either true or at least highly plausible. In the above passage, however, I think both he and Postgate have missed the point of the first word. Tibullus has been telling the story of how Apollo turned herdsman for love's sake. He insists several times over that it is a story, not a thing he can vouch for. The infinitives in 14 a-c make it (...) sufficiently evident that the lost pentameter began with fertur or dicitur; in 18, Artemis dicitur to have blushed for her brother's unseemly occupation; in 29, fertur that the gods used to serve Venus openly. The same line reminds us that these stories refer to old days, olim. Now comes the couplet in question. (shrink)

In the article, I prove that the dialogical ritual obscene songs, in which Sappho “scolds” Gorgo and Andromeda, are the closest parallel to Aristotle's poetic dialogue of Sappho with Alcaeus, 70, 145, 99 etc. Campbell; cf. Max Tyr., 18. 9 Hobein). Also I prove that this poetic dialogue was most likely included in the text of the “Rhetoric” in mid-340s., when Aristotle and his young wife Pythias were living in Mytilene. Aristotelian verb tetimekasin indicates that, even in his time, these (...) Sapphic dialogical songs had traditionally been performed in Mytilene during religious festivals. It becomes clear that Aristotle, while quoting this dialogue of Sappho with Alcaeus, seeks to “elevate” Sappho over the obscene songs of the Mytilenean ritual chorus, leaving all the responsibility for aischrologia entirely with Alcaeus. (shrink)

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, (...) a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 2 focuses on the cults of Artemis, Adrasteia, Hekate, Eileithyia, and Aphrodite. (shrink)

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and (...) shows how Plato takes up pre-Socratic conceptions critically while also being transformed. Through Sallis’s close reading of the Theaetetus and the Phaedo, he recovers the profound and comprehensive concept of nature in Plato’s thought. (shrink)

AN inquiry into the use of paradeigma in theIliadmust begin with Niobe. At 24. 602 Achilles introduces Niobe in order to encourage Priam to have some food. The dead body of the best of Priam's sons has now been placed on the wagon ready for its journey back to Troy. Achilles says, ‘Now let us eat. For even Niobe ate food, and she had losttwelvechildren. Apollo and Artemis killed them all; they lay nine days in their blood and there was (...) no one to bury them, because Zeus had turned the people into stone. On the tenth day the gods buried them. But she managed to eat some food, when she was tired of weeping. And now among the mountains, although turned into stone, she still broods over her sorrows. But come, let us also eat. You can weep for your son again later’. (shrink)

AN inquiry into the use of paradeigma in the Iliad must begin with Niobe. At 24. 602 Achilles introduces Niobe in order to encourage Priam to have some food. The dead body of the best of Priam's sons has now been placed on the wagon ready for its journey back to Troy. Achilles says , ‘Now let us eat. For even Niobe ate food, and she had lost twelve children. Apollo and Artemis killed them all; they lay nine days in (...) their blood and there was no one to bury them, because Zeus had turned the people into stone. On the tenth day the gods buried them. But she managed to eat some food, when she was tired of weeping. And now among the mountains, although turned into stone, she still broods over her sorrows. But come, let us also eat. You can weep for your son again later’. (shrink)

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and (...) shows how Plato takes up pre-Socratic conceptions critically while also being transformed. Through Sallis’s close reading of the Theaetetus and the Phaedo, he recovers the profound and comprehensive concept of nature in Plato’s thought. (shrink)

Essays on a Science of Mythology is a cooperative work between C. Kerényi, who has been called "the most psychological of mythologists," and C. G. Jung, who has been called "the most mythological of psychologists." Kerényi contributes an essay on the Divine Child and one on the Kore, together with a substantial introduction and conclusion. Jung contributes a psychological commentary on each essay. Both men hoped, through their collaboration, to elevate the study of mythology to the status of a science.In (...) "The Primordial Child in Primordial Times" Kerényi treats the child-God as an enduring and significant figure in Greek, Norse, Finnish, Etruscan, and Judeo-Christian mythology. He discusses the Kore as Athena, Artemis, Hecate, and Demeter-Persephone, the mother-daughter of the Eleusinian mysteries. Jung speaks of the Divine Child and the Maiden as living psychological realities that provide continuing meaning in people's lives.The investigations of C. Kerényi are continued in a later study, Eleusis: Archetypal Image of Mother and Daughter. (shrink)

Lykaon est changé en loup pour avoir sacrifié un enfant nouveau-né à Zeus Lykaios; après lui, chaque année un homme serait transformé en loup sur le Lycée. Ces traditions ont d’abord été mises en rapport avec un dieu loup honoré par une confrérie de loups-garous. Puis l’interprétation « initiatique»s’est imposée : les lycanthropes, dont Lykaon fournirait le parangon, seraient une classe d’âge soumise à une initiation tribale. Maintenant, l’intérêt se porte sur Lykaon, pour son ambivalence « civilisé/sauvage » : sa (...) « transgression » des règles de la civilisation est punie d’une « régression » à l’état de bête. Kallisto, séduite par Zeus et mère d’Arkas, est métamorphosée en ourse. Elle a d’abord été considérée comme l’hypostase d’une déesse ourse Artémis, puis comme un modèle mythique pour l’initiation des adolescentes. Actuellement, on insiste sur sa « transgression » de la loi d’Artémis, qui provoque sa « régression » à l’état sauvage. Pour Lykaon et Kallisto les interprétations ont évolué parallèlement; la diversité des approches successives ne participe-t-elle pas plus ou moins d’une mode? (shrink)

01. Athènes, Attique, Mégaride (Despina Chatzivasiliou) Généralités 01.01 — Dans une monographie, l’A. étudie la relation entre les sanctuaires d’Artémis à Brauron, à Mounichie et sur l’Acropole d’Athènes. Elle compare les vestiges et les offrandes avec ceux provenant d’autres lieux dédiés à Artémis (comme à Halai Araphinidai). Sa réflexion s’articule autour de la structuration du territoire de l’Attique, entre la polis et la chōra, et revoit la centralisation du déroulement des cultes généra...

En 1981, dans un mur tardif situé au Nord-Ouest de l'Artémision de Thasos, a été découverte une statue féminine acéphale qui s'achève en pilier hermaïque. Une autre statue de ce même type, mais dans un état de moins bonne conservation, avait déjà été trouvée dans le voisinage. La statue de 1981 est une œuvre d'époque impériale librement inspirée des deux Herculanaises ; elle peut avoir représenté une prêtresse d'Artémis.

Since the epithet ίόκολπος („with a violet breast“) is attested not only, as is commonly believed, in Sappho’s lyrics, but also in an inscription of Athenian Artemis Agrotera’s altar (IG II (2), № 4573), we can better understand the religious outlook of the poetess as well as the working of the Sapphic guild on Lesbos. A comprehensive analysis of the sources allows us to conclude, that the poetess probably was a priestess of Artemis Agrotera as well as of Artemis Thermia, (...) who was an ancient aquatic divinity of the island. We argue that the poetess had performed songs in a festival of this divinity (Θερμιακή πανάγυρις) and that the cult of Artemis in the thiasos of Sappho experienced strong Lydian influence during the life of the poetess. In addition Sappho was linked with Artemis by other varied ties of sacred service. (shrink)

Cette étude d'une dédicace à Artémis Tauropole, trouvée à Amphipolis, qui mentionne Persée, le dernier roi de Macédoine, ainsi que des magistrats de la cité d'Amphipolis, deux politarques, montre qu'il ne s'agit pas d'une dédicace commune du roi et de la cité, mais que la dédicace du peuple d'Amphipolis fut gravée à une date plus récente, peu après la mainmise romaine sur la Macédoine, afin de remplacer la dédicace de Persée. Par suite, même s'il apparaît que la mention des politarques (...) sur cette inscription est une des plus anciennes qui soient connues en Macédoine, le problème de l'apparition de cette institution reste ouvert. (shrink)